Year
2024
Publisher
Amsterdam University Press
Language
English
Pages
11
ISBN
978-9-04856-327-2
Last Update
15-Jan-2026
Keywords
Film Studies ; Communication Studies
Andrei Tarkovsky (1987) famously defined cinema as above all an art of time, enabling its spectators to experience time in novel ways – and its makers to “sculpt” it. Twenty years earlier, André Bazin had defined cinema as a photographic medium as “objectivity in time” or “change mummified” (1967, 15). But is it not equally, or even more fundamentally an art of space? Even before we have registered any sense of time, in front of a screen we are unavoidably “in another place.” In classic cinemagoing, we have traveled to a special place where this vision of a different world...
Related
See More
Deutsch-Ostafrika als Siedlungsgebiet für Europäer unter Berücksichtigung Britisch-Ostafrikas und Nyassalands.
Engines of Truth
China and India, 2025
European Strategies in Lifelong Learning
Developing Iraq's Security Sector
Everyday Crime, Criminal Justice and Gender in Early Modern Bologna